(John Mayer, Kelly Clarkson, Taylor Swift)
"I've used the Red12 on acoustic guitar, vocals, hi hat, bottom snare and plenty of other things. It's got tons of character and because of its size, is super simple to fit into any situation.
(The Story So Far, Basement, The American Scene, and Heavy Heavy Low Low)
"I'm a big fan of the Red12 Omni's. I love to distort and smash audio, and these Omni's take my abuse extremely well. I love them as a room mic on electric guitars, and use 2 for recorder-man overheads on drum kits. They are small, easy to place and have a lot of vibe and attitude. When I left my studio to make a record in Australia, these came with me. Don't leave home without them!"
Peter De Wint
(Jeff Scott Soto, Twisted Sister, W.A.S.P., Talisman)
"I just took my 4 RED12s on a long European tour with USA singer Jeff Scott Soto (Journey, Trans Syberian Orchestra). I used them as O.H.'s, ride, & HH mic's @ every venue. The local sound guys were surprised by their looks, size, & especially their sound. I'm very happy with them & will be keeping them in my touring mic Pelicase 4 ever."
(John Legend, Shiny Toy Guns, Jason Mraz)
"Initially I bought these as a good flavor
(Sparklehorse, Pretty Lights, Matisyahu, Rival Schools, Tom Waits, Blackroc (Black Keys))
"Ever since I got a pair of the 12 Gauge Red12 omni's, I have used at least one on every record I have produced or tracked drums on. Considering we are fortunate enough to have a zillion classic microphones here at Studio G Brooklyn, that's saying a LOT. Thanks for making such a cool, useful thing, man!"
(Grammy Winner, Flight of the Conchords)
"Brad's 12 Gauge Mics are fun little things... I generally put a couple up in various parts of the room whether I'm tracking drums or guitars and often they yield a track with some cool color and dirt. They have a sound all their own and are a fun little mic to use."